A cynical digression into the much-fancied time of the Golden Age of Pirates.

What do you think of pirates with flashing swords and crimson cummerbunds?   Romanticizations are rife: Jack Sparrow--Go ahead, say "Captain", The Old Benbow Inn, peg-legs and Polly the parrot are all  examples of that. But the period, in its entirety, is quite the foggy one, and, if I may add, one with many rather horrid elements. However, many pirates did engage in astonishingly dramatic feats of swashbuckling, which shall be illuminated henceforth.
(Or else this will resolve in a convoluted mass of history and cynicism.)

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The Golden Age of Piracy in our class refers to the time between 1650 and 1720, which were the years when piracy was at its most rife around the globe. Edward Thatch, the legendary Blackbeard, sailed in this time as did Bartholomew[1] Roberts, Mary Read, Ching Shih (a South China Sea outlaw, brigand, and general insaniac), and many other pirates of fame.
Also, it was in this period that the Spanish Empire, made wealthy through plunder of native gold in its South American viceroyalties, fell into decline; thus making its bloated galleons and gold easy prey for pirates. Most memorable of the famed prizes is the Silver Fleet, accomplished by Piet Heyn. Not the cartoonist: the privateer.
 If I may digress...
...Very kind of you...
In the middle of 1628, it took several days to count the four million coins aboard the Silver Fleet, notwithstanding the exotic dyes, wood, tobacco, et cetera with them. How these came to be sailing to Seville in a Spanish fleet is a matter to be dealt with afterwards, but basically it was rich. And big. Also, clunky.
That, perspicacious listeners, is why one Piet Heyn, the commander of a fleet, was immortalized: at least in Dutch ball-game songs.

A fleet from Vera Cruz (behold the image of Vera Cruz

  set sail one early fall,  scheduled for the port of Seville. Behind the many ships drew a flotilla of the Dutch-- thirty-three hundred sailors aboard in all--under the hand of Piet Heyn, a jovial-looking man with a goatee (the most obvious features)

 and a Letter of Marque.
Considering their vast treasure and the suspicion they held to their abrupt adherent, the captain of the fleet turned for a Cuban town, Matanzas, where their luck ran out and they ran aground on the shallows. In the middle of musket-and-cannon-fire they absconded in boats with jingling pockets or swam for the shore, leaving rather less gold than they came with. This presented a pecuniary loss to Heyn, augmenting the fact he only received precisely 1 3/4 % of the profits, but in any case the great Silver Fleet had been captured, and Holland now rolled in enough dough to be wealthy for the next one hundred years

Furthermore, we ought to mention the difference between a pirate and a privateer, a corsair, buccaneer, and fence, as all are terms which we shall address. Pirates were freelancers, if they were in it only for revenge or adventure. While a few had honor towards their nation of choice, birth, or affiliation, they were legally on the other side of the law. Privateers were agents of a specific nation commissioned to do the bidding of said nation-If they had a Letter of Marque they were legally under the protection of the nation and it was-ah, let's say impolitic-to attack them.
Regularly engaging in raising their middle-finger flag at opponents, raiding enemy ships, and surreptitiously collecting information for their nation, many of this jolly sort were later real pirates, like Benjamin Hornigold -- Commander of the Flying Gang, alias the Pirate Republic, ergo the first, traditional, Caribbean pirate horde -- Edward Thatch, future Blackbeard, and even the Briton Henry Morgan who, with a small army  of1,500 cavaliers and pirates captured Panama (Depiction on PowerPoint), the prominent Spanish city: but not before crossing the isthmus, defeating a force of nearly two thousand, and collecting enough plunder for it to take one-seventy-five mules to carry it back, and not after he was knighted by the English King Charles II while Spain and England were at peace, no less.)

Following us so far? Slightly shorter explanations will follow, thank heaven. Oops. Strictly, a corsair is one of the Barbary Coast engaging in piracy; and it may also be used to refer to a fast ship used for pirating. The word, mind, is derived from early French. Also derived from that eminent language is "buccaneer" any of the raiders of Spanish colonies and ships, also strictly speaking,  although it's commonly used in reference in any pirate. Finally, a "fence" would be a smuggler accepting illegally-received goods from an outlaw. Make sense? Right.

In said time the only areas of piracy were certainly not the Caribbean... English pirates and privateers engaged in their various devious work in the Mediterranean Region, Madagascar, India, China - Such as Madame Ching Shih - and even Ireland! Admittedly, those of repute were in the Caribbean, though quite a few hailed from the British Isles.

The Spanish Main

  was the most fruitful of pirates' opportunities, running along the north coast of South America and up Panama, with juicy Spanish treasure ships and primarily hospitable ports of call upwards in the Greater and Lesser Antilles -- St. Martin and Eustatius at the top, Barbados, and Antigua just as a sample. The Windward Passage, pretty awesomely named, was the (wide) strait between Cuba and Hispaniola i.e. Haiti.

Later in the age, when the American Eastern Seaboard's aboriginal inhabitants were driven out and replaced by European colonists, some pirates dwelt there, as well as  some who hid in the boonies of Florida where a few became friends of the Seminole and Creeks (Depiction of S. and C.s). By that time Englishmen were spreading, and the Native Americans had little love for them: outlaw joined with outlaw, and the swampy woods of Florida seemed excellent to get oneself lost in.  Some of these pirates include Mary Read, Stede Bonnet (Rather cool name, but in fact was about the most doltish pirate on record), and Jean Lafitte.

A more promising location was Nassau and the Bahamas, with shoals promising grounding for a large vessel and inlets which few but locals were aware of. This was the location of Benjamin Hornigold's Flying Gang,  made up of his old drinking buddies, and, before long, veritably half the population of Nassau. It began with the demise of the War of Spanish Succession, when privateers were laid off because there was no need for mercenaries, and aggravated, several privateers set up shop in the town -- hamlet, rather -- of Nassau. At this time -- Ah, I'd best mention the time I suppose, it was 1714 -- around thirty families lived in ramshackle houses, with a collapsing fort. In other terms, it was perfectly splendid for a bunch of outlaws to begin pirating. Gaining prestige (and audacity) Ben Hornigold became a sort-of de facto self-proclaimed prince until a man called Woodes Rogers became governor... But alas, I'm afraid you have to hear that another time.

In future America and the United Kingdom, Boston and Bristol were the centers of commerce passing to the Old World and out into the New. Today America is another independent country, but in the pirates' time it was  the haven of scoundrels and the dwelling of adventurers, of those categories many overlapped. Potatoes, tobacco, live oak, and many other then-exotic commodities were transported out and to America's fellow colonies, and Bristol was the location where manufactured goods, fabrics, and food were set on the course to America and other places; though the city only contained 20,000.
Coming to the New World, Samuel Bellamy, Edward Low, and others stepped from their ships to the docks of Boston where nearby redbrick houses and pylons marked the docks. In Britain, a meandering river: Avon, wound seven miles through the coast until coming to the medieval walls and stone docks. Blackbeard grew up here, in the same baileywick as a notorious pirate-hunter Woodes Rogers who was responsible for the deposition of the Flying Gang. However, that's another story.

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And what do you think they looked like? As again, there are droves of romanticizations: and considering the time the pirates lived in, the sky's really the limit as to a dress code. A couple had gear to write home about, Bartholomew Roberts reputedly dressed in a scarlet sash with an earring and jewels--no, I am not kidding, he was allegedly a bit flamboyant--a quintessential pirate

 Blackbeard's mane smoked with fuses, and Stede Bonnet dressed in linen and silk. But then again, all three came to bad ends.
If we must imagine, consider the fact pirates stalked the seas from South Africa to the Caribbean, capturing ships, stealing whatever they could get their hands on, pawning what they wouldn't keep, and wearing what was memorable. Of course, many began as ragtag thieves or sailors, turning to the lawless colonies for fun, profit, or simply something more interesting, so that should be taken into consideration.
Scurvy blotched mariners' skin, pestilence hollowed their health

We're an anarcho-syndicalist commune! And while we're at it, we also enjoy burning witches but this is about pirates, not Monty Python and the Holy Grail. 

and thinned their ranks: they wore what was warm and if they were lucky, water-repellant too. Lastly, pirates were richer than some.

As for vessels, we might as well give them a brief mention? The Royal Navy had, as Britannia ruled the waves naturally, the most elite sailing craft, Ships of the Line. The most powerful vessels on the waves, first-rate ships (i.e. those with the strongest plate and finest craftsmanship) weighed in at almost two-thousand tons, decreasing in breadth and weight to frigates and brigs and sloops and schooners. And the earliest denizens of the Flying Gang piloted 30-foot long canoes.
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The world was an unstable and changing place.  Politics was a sister of religion, and after the wars of religion had ended, there were still hard feelings. In Britain the queen's half-brother was denied recognition as the heir of England, being a Catholic, and instead a cousin from Germany, properly Protestant, was selected. The dynasty of the Spanish Hapsburgs fell when the king Charles II (not to be confused with the English king Charles the II) died, and a war broke out in Europe as a result. And there, we have come to the War of Spanish Succession.
In 1702--Admittedly slightly late for our decades-spanning narrative-- Spanish rule came crashing down when the king died without an heir, and those pesky in-laws came clamoring for a place in the estate. Only the estate was the Spanish Empire, spanning from Cadiz to the Philippines, and the in-laws were the major rulers of Europe. Before long, England had taken sides: allying with Holland, Austria and Prussia, while France and Spain joined.
England was going to anyone besides the French.

In the middle of this, three-quarters the male  population of English colonies were serving in battle, voluntarily or involuntarily, and privateers were bursting from the gunwales .

To put it... lightly, maritime ventures were not favorable toward anyone involved.
Why pirating, you ask?
Primarily, English crews were recruited by gangs of men who walked city streets and taverns, kidnapping men to serve in their crew. . . "pressing" is the official term; and they were called "press" or "press gangs." Good for morale? I think not! Also, a disturbing amount of people appeared to be disgustingly immoral, depraved, and greedy, but that's another story... And if we get our way, not one imminently to be told.
Why, though? Why would they leave their livelihoods and join a collection of scrofulous seven-letter-words? It was an unenviable prospect, living with slight sleep, and even slighter healthcare - Yeah, I mean worse than some people think today's is.
 There is not an easy answer. Some were captured and turned traitor to save their skins, and some did so just for a better lifestyle. Some were entranced by the very romanticizations that are inflicted on today's history...For a critical viewpoint. Some were bitter about the Peace of Utrecht, the treaty ending the war--Many of whom are quintessential pirates, Blackbeard among them. A couple looked to it to escape the law, or, in Stede Bonnet's case, to escape their wives. That fiasco ended with his hanging, so let us assume that in the case one marries unwisely it's best to get a divorce.

It offered them comparative freedom, an opportunity to do as one wanted, to obtain unforeseeable wealth and to have some real voice in the ship. Believe it or not, pirate captains were elected by the crew, majority ruled whether one was to be elected or replaced. This likely resulted in a little bit of gold changing hands....

Black sailors were common, being offered full rights as a crewmember when pirates captured a slaver ship In the times which they lived, it was surprisingly egalitarian. One imagines a pirate ship as a milieu of different nationalities and affiliations -- as long as they shared a common enemy -- Where a  different society existed, divorced from the rank and rule of the Europeans, and remained fairly ordered even without  that; and with the addition of a more eclectic populace. Now please throw metaphorical tomatoes if I start typing about the "pirate in us all"...the "soul of the sea"...or similar statements.
 I mean metaphorical, guys. Nonexistent. Forget the tomatoes.
...Or they would be sold back into slavery: many merchants and businessmen were of little conscience.

                Naturally, it was not all fun and games: Even each benefit was, there was a ship to run. Sails had to manned, and adjusted by hand, which meant sailors had to climb the masts and unknot ties to change the speed of the ship, and to "tack" the sails (in other words, to turn the bow to the wind, changing the impact of the wind from one side to another.) This was particularly necessary in stormy or windy conditions; as such that one would really not like to be forty feet in the air, clinging to the mast,  a daredevil koala on an eucalyptus trunk.

Pardon me, I will applaud my splendid metaphor.
Scurvy always visited the crews of lawful and rogue alike, a disease resulting in the body hemorrhaging below the skin and causing purple sores, chronic weakness, gum recession (not a financial scenario), and anemia: the lack of hemoglobin in blood resulting in such lovely things as fingernails growing upwards, hallucinations, and a hunger for odd consumptions such as ice, paper, and wood. However, I know for a fact I do not have anemia, and yet I have always eaten ice cubes.
Before I am too carried away in studying the horrid side effects of aforesaid diseases, I'll connect this in some way to my story and continue.
Before Doctor James Lind proved the assistance of citrus in diets (Picture of Lind on PowerPoint), several sailors fortunately realized that fruits and vegetables helped considerably (replenishing the vitamin C. lacking in scurvy-stricken patients) and they were supplied in knowing fleets, eventually becoming mandatory  in... uh... 1800.  Rad, Brits. More sailors die of scurvy than in action (did I mention that?) and it takes you over a hundred years to formally adapt adequate prevention.

Next on the rouleau of piratical mores, strictly enforced was the dividing of the plunder, in which each member took  a share according to their position, only to forfeit it if they had broken the ship's law in cases like of mutiny--and mutineers also faced marooning, flogging, or keelhauling-- and also for abduction, dereliction of duty or in some cases inebriation, depending on the articles of the ship.The captain, of course, had the lion's share, decreasing successively to the cabin boys and swabs.

As it was, on English ships men were normally recruited by press-gangs and under the thumb of the captain, whose authority sometimes brooked on cruelty. But Blackbeard supposedly shot a member of his crew for no reason at all, incidentally. Women, under no circumstances were allowed. Pay was issued in the form of I.O.U.s for an unspecified amount just before the recipient's vessel set sail, and many times they received no pay at all.

Depravity reigned many of the ships and attacks, the English Henry Avery operating out of Madagascar exemplifying such. His deeds are quite vile. Pirates faced execution if they were caught sans pardon, and several times they deserved it--Edward Low, a pretty remarkable (but really, okay, he was totally sadistic) man for instance, who with one of his more abominable practices broiled his captives alive.
Interestingly, Low was initially married to one Eliza Marble in Boston, where he had two children: one, a boy who died after birth and another a girl named Elizabeth. After his wife and children died he became a pirate, and although, really, he was sick he treated women well, leaving them on shore if they were onboard a captured ship, and hardly recruited married men. Then again, this occurred in a sketchy area three-hundred years ago.
Doubtlessly this does little to detract from the general horridnesses of the time, but interestingly enough the original pirate lord Benjamin Hornigold, while being a generally threatening chap, was not known to kill captives: his crew was searching for the resting place of a capsized treasure fleet and they captured the crew, he liberated their pockets of money, a couple of silk items, and left them alone (although the captain did notify him as to the location of the fleet's salvage camp, so perhaps that helped), and once took an English vessel, stole their hats and explained they had thrown theirs overboard when drunk, and what gentleman goes without a hat?

promptly releasing them. Conversely he did also threaten to kill Nassau's governor, and beat his family "senseless" so nobody's perfect.  

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In the next classes you may expect a mix of cynicism and invigoration: but never apathy. Addressed topics possibly may include the good, the bad, and the ugly of the Golden Age, the (in)famous pirates, the vicissitudes of maritime life, and conversely those of Europe. Expect exciting dynastic decisions, maggots, sails, and decapitations!

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[1] John was his real name.


Herein is what was -- information resulting in the possible interpretation that it would be detestable unto the reader to have such intelligence divulged -- (That means spoilers) a script for cooperative pirate-themed lessons this fall. Circumstances extenuated as circumstances are known to do, and henceforward the lesson scripts will be unfolded onto the proverbial table of my blog. That means the one-and-a-half-written but this blog ought to be famed for its hyperbole.


-Captain Anacostia Mirabow-Marignac.

Information derives from The Republic of Pirates by Colin Woodard, osmosis through books lying around our home, Empire of Blue Water by Stephen Taity, and Encyclopædia Brittanica.

Eight starry jewels of writing advice, seven ellipsis points (those are triple periods, if you need know), six quips and a partridge. Metaphorically.

The second installment in my Pretentious Writing Tips series, in which I will probably repeat what I have forgotten I already said, suggest things which work for me but would capsize the work of another individual, and go on at length about the benefits of my sagacious advice. Rather than arraying summaries of my previous works ahead of the tips, I'll simply cut to the chase.

•Remember the reader has to use their imagination as well as understand yours†. Overdescription is a dam to imagination. One character can be wearing a long gown with a shawl and that is adequate description not to merit mention of the apparel's color. Let one's independent reader imagine as they will.

•"Crossed" can be conceived as amateurish. Quite tempting, I grant you, but difficult to imagine and after all, many people don't cut a directly diagonal path through a room do they?

•The regular writer must have seen this so many times it's a cliché, but it is advisable not to think about everything you write -- particularly when you're trying to write out a scene or character or occurrence as not to forget it. Drafts, young Padawan!

•Don't think about drafts, in my professional opinion.

•Adverbs are not the root of all evil, again I opine. "-One said excitedly", or "with an excited tinge to one's voice"? Excitedly is economic, quick, and in my humble opinion superior to the latter.

•For the love of heaven don't say "slightly." "Almost", yes. "Partially", indeed. "Halfway between X and X", sure. But "slightly" is. . . .at the extremity of inadvisable. "Slightly annoyed" "Slightly confused"--Piffle. Platitudes.

•Use your words. "Incidentally" outranks "by the way", even, it has its own meaning as well. . . A side effect; a occurrence of lesser magnitude.

•(Punctuation is also a necessary part of cohesive writing.)


Well, as far as my personal writing goes I am stuck somewhere in the middle of a seventy-page-long notebook, scripting away various scenes from various stories amidst Spotify and Pinterest.

I have begun a certain story set in the world of Breckinedge, a quaint locale in which every town and metropolis is named after an adjective or state--Reverie. Solitude. Tranquil. There are many curious and mysterious constituents which, naturally, have no relation or any manner with which to presently fit them together. Ah well, the lot of a writer.
My earliest conviction that I would be a writer was when I was six, and I decided that my ideas were too amazing not to share with the world. . . I just love myself.

Furthermore, if we writers are lucky, forty years in the future people will still be reading our works; and even if one is reading it a year after the publication date I will count myself an honored lady.


Sentimentally,

Anacostia Mirabow-Marignac.


†In all likelihood, the mind will always have difficulty being understood -- allow me to amend -- That ought to be written "Recognize what you're trying to say."

A diatribe, review, and philosophical digression: which is to say a review of Ruin & Rising (Previously "A Review... for which it is yet to be decided but in any case it will doubtlessly equate the most exemplary standards".)

Brief prelude. The review beneath was written directly after finishing the book which it addresses; at ten o' clock at night; so please pardon me for any corrigenda, discrepancies, or convolution. On second thought, the last one is par for the course so nevermind.

How could one dislike that ending, as many do? It was a fairy-tale ending, and they were fairy-tale-like books. It tells the story and concludes it: that of the Darkling, plus the boy and girl from Keramzin (needless to mention, the too-clever fox). They settle in an orphanage... one where they grew up. They have unhappiness but joy as well... Leigh Bardugo's writing, I will interject, is lovely in the prelude and conclusion. Quite eximious.
Half -- actually all but one, I believe, of my notes are quotations from the book with diatribes accusing Miss Bardugo of being favorable toward the monstrous villain known as the Darkling. Frankly, he was a villain--a monster--a demon, worse than those which he created. I refuse to see sympathy.  Hm. I probably feel any sympathy now that the character has gone and joined the choir!

"'Aleksander,' I whispered. A boy's name, given up. Almost forgotten." 

Piffle. For those who have not read it, that refers to the Darkling... the villain. In any case, he gave it up, he almost forgot it. For a moment of poignancy, however, Alina remembered it. He didn't redeem himself or repent either--Good gosh, I'm glad Leigh didn't try to write him doing that, recall the aforementioned irredemability--and neither did Alina forget what he did.  Leigh Bardugo handles it excellently, in spite of my diatribes against her characterization in this final book.
Maybe it is a tribute to all the tragedy.
In one way, it reminds me of Les Misérables... Only for Harshaw dying rather spontaneously and without ado: a titch like Courfeyrac. (A "Friend of the ABC", meaning a rebel in the July Revolution of 1830. Also, Marius' friend.)

A few closing notes, before I shut the laptop lid! Alina laughs at a joke by Mal (Mal-her sweetheart, general object of whatever soap-opera happens to be occurring... responsible also for the fairy-tale ending. Aw.) near the end. The first time it appears she truly laughs! I find that, again, very poignant.

Keramzin is the nexus of drama in the Grisha Trilogy, it seems... As well as the emotional catalyst for many of the characters.
Unfortunately it was a conclusion which renders the prior books rather immediately-un-re-readable, in spite of the ending. My thoughts on the ending are rather apparent, it appears to me! Essentially: it was poignant, well-done,  arguable, fairy-tale-ish--Perfectly brill.

On second thought, this entire review waxes philosophical. One may blame the ten-o'-clock hour which I wrote it.


Thanks for reading,

Anacostia Mirabow-Marignac.

Depths of ire! Uncontrollable debating! Troublesome Pettifogging! This Pestilential Scourge, Media, gains its own article.

Journalism and media are two very different things. You think? When it comes between an instance like celebrity culture and journalists on the Tibetan-Chinese border it is undoubted. The line can be bothersomely blurred... This writer thinks perchance the journalists discover the information, and the media belches it out.

The Reader may note that was a fairly extraordinary sentence, and definitely exhibits the tone of the forthcoming piece. In other words, this'll be a fairly vituperative article. Bear with me, my figurative blogger's pen  is rusty from disuse. Enjoy.

Shakespeare is theater. Previously lowbrow, crude, and informal theater to be sure, but now it has morphed into an art form: which at least is better than Ms. Jennifer Aniston, and the full cadre of celebrities. Media, while it endeavors to imitate such, is not an art.
Take for example the recent happenings in Eurasia. It has been transgr    essing for upwards of a month-and-two-weeks, with every small happenstance magnified and declaimed throughout. A lowly and uninformed personage I may be, but however nefarious President Putin is or is not (come on, he at least is a level II megalomaniac) a crisis need not crucially be averted when a news article on the aforementioned is side-by-side with one on Taylor Swift's attire. I entirely agree that it is somewhat discordant, yet honestly, I see little importance in superficial publicizing.

...

Quite honestly, originality is sorely lacking. Maybe discuss the situation of the fight against malaria in third-world countries? Poor pay in Chinese factories? Political suppression in Myanmar?
Just...frigging...shut up...about...Taylor Swift's clothes.
Please.

I come to the meat of the matter, and to my opinionated approximation of things media sorely exaggerates in its pertinent stages, one article deriving from another, expounding on falliance and thriving on drama; a crisis following another in quick and short-lived succession.

Not to say journalism in and of itself is a vice. In fact it's a virtue. Now if only the popular distribution of disclosures were less aggrandized... At least we have right to report on most, I admit.
But perhaps we exaggerate an increment too much. I'll silence on the news commentary, thanks.

Appreciation for reading my digression on media,

-Anacostia.

Desisting from consistent opinionation, I offer you a review: SHADOWFELL by Juliet Marillier.

To postpone the aforewritten article in this "blog" was no easy task, but in order to illuminate my thoughts on the exemplary work, of whose name carries both delineation of a sunless area and protuberances of earth particularly found in mid-England, Missouri, central China, Mongolia, and elsewise...Oh, come on, codswallop! I'll drop the turgidity, if only to respect my feelings on this book yesterday.
Feelings on book while reading: Asdfghjkl, this book is amazeballs to the sky, but oh my gersh Neryn, you are so naïve!
Feelings on book while a little more than half-way through: Aii! *kindly picture your potential mental image of me, quite honored to have a potential mental image incidentally, holding the book an arm's-length away with a stricken expression*
Feelings on book in the eponymous Shadowfell: *curled up with eyes moving like lightning*.
Feelings on book... At the denouément (Or whatever counts for it in this book): *hugs book to chest*.

Juliet Marillier is an author who wrote many books, among them which I have read Wildwood Dancing, and its premier companion Cybele's Secret. Thence I have gleaned her writing style to be heavy on character development, possibly more emotionally raw than other authors (many of whom I might name but I did say: "Rants of Opinionation" not "Calumny and vituperation"*), great at scenic detail, and fantastical situations abounding.
Three guesses.
1. All appear.

2. All appear with striking brilliance.

3. All appear with brilliance that yesterday demonstrated my ability to fangirl at length, and become overly wrapped up in a work of fiction†.

Ahem. All of the above. Rather then embark on a lengthy panegyric, why don't I explain what makes this book so utterly admirable?

Fifteen years before the book is set, a tyrant named Keldec takes power and bans all magic: both expunging particular talent in arts and crafts for fear of it being "canny" (for that is magic's name in this), and regularly destroying villages and settlements presumably to put the fear of the king in the citizens.N.B.  A girl born in the year of King Keldec's coup, and running from the wrath of his "Enforcers" is a girl named Neryn (surname unspoken-of). Fleeing a village shortly before it is burned (See, she has all the bad luck. Her grandmother's mind was destroyed by Keldec's "mind-menders", her brother was killed in the destruction of their village, her mother died when she was four, and her father dies in the village's immolation.) with the help of an individual called Flint (Don't blame me, I didn't name those characters.) Naturally, she does not trust aforementioned individual and sets out solo to find Shadowfell, the legendary abode of those resistant to the king's rule. 
If you're any connoisseur of the Y/A genre it should be a bit predictable as to the events of the book. If you're not, you aren't missing much, but the fun of guessing.

To be frank, I originally thought very little of this series. In the wake of our family watching Peter Jackson's The Lord of the Rings cinematic adaptations I thought this filled with terrible plagiarisms, and set it down after reading... five pages. Since then I have repeatedly critiqued it (with, mind you, little idea of its actual quality) but when I sighted it at the library, with the sequel I had to check it out again.
And, I loved it. Due to a variety of rare factors in Young Adult fiction known as good writing, fine characterization (and character-development, furthermore. This doesn't just go into flawed characters... flawed characters complete with backstory to demonstrate both their flaws and their merits still without weighing down the storyline, current actions demonstrating said flaws, and merits, as well as plenty of conflict just so those poor characters don't get a break. Maybe in the sequel☺?As a nice contrast I suspect these parenthetical statements are indubitably weighing down the review.)
Ah yes: Fine characterization, scenes to variously chill, hearten, or thrill the reader without burdening them with overly turgid phrasing, a - granted it is a cliché - rather, hm, trite storyline, and even at the end of it you want more to the story. Lucky Raven Flight is the present book of honor on my shelf, mm?

Then again, I had my prejudices against the characters, particularly Neryn. Concurred that she was a careful, defensive, weary, individual. Nevertheless, her trust of Flint grew rather too quickly. *nods*. Very quickly. And of course as anyone who has read to the middle of the novel understands, that trust is shattered like..... like.....a thousand tiny similes dashed upon a mirror, creating both a heck of a mess, a terrible comparison, and the cleaner wondering how a literary device can break a mirror♪.

Really, if they're all as terrible as that one I cannot admit to surprise.      

Let's face it: It's an astounding book and you had better go out to your nearest bookstore to buy it. Or, rather not. In fact it is entirely your own choice to read it-let alone like it! Although I would recommend Cybele's Secret, and Wildwood Dancing, her two other Y/As. In very fact, my thanks for reading this review.

                                                          

Sincerely,

Anacostia Mirabow-Marignac.

















*As many of them I probably unfairly dislike. Probably. Moreover, calumny is a fantastic word (meaning unfair or unjust criticism),  which is potentially the root of my use.

†Hitherto unseen since my reading of Emily Brontë's Wuthering Heights. The review is far too embarrassing to post on this blog, but I shall disclose my reading of it involved shrieking about the annoying characters, then bawling five minutes later. Uncontrollably. With great emotion.

♪If you're wondering about aforesaid event, you might search in the vicinity of the synopsis. I know. It's dreadfully helpful.

N.B. Of course, he could not have considered making people hate the magic rather than him. To cite Machiavelli, a monarch should be loved in peacetime, and feared in strife, but never, never to the point of hatred... Unlike  Keldec. Oh, very much unlike Keldec.

Several witticisms, one antique scribbler, an eternally superannuated vocabulary, and the complete works, of Anacostia Mirabow-Marignac's writing advice.

Doubtlessly my trademark lyricism and unending insight must cast it into question whether, indeed, the author of this so-called "blog" happens to be an author. I am. Being magnanimous as all-get-out, you may expect me to share sagacious pearls of wisdom, and perhaps a little less hyperbole than has hitherto been exhibited. How little you know me, Dear Reader, if you expect the latter to occur.

Fortunately, my munificence has no bounds. Or rather, I might counter the stemming tide of tips which I strongly disagree with, rather than simply whinging ineffectually.
(This is what is termed: "Stream of consciousness" or in other words endless blather. The egomania is merely a side-effect of typing quite rapidly.)
Before I embark on my as-promised tips for writing, I've decided to list a sample of my writing projects as follows.  Some have been swirling in the stormy depths of my head for some time (think seven years), some are nascent arrivals to my portfolio of stories.

•The Queen of Tyreusa. The eldest of my projects, it dates from seven years ago when, admittedly, I imagined scenes from it while trying to go to sleep. I neglected to think up any motivation, character building, description, or successive plots... In this installment the Queen of Tyreusa, Corinna, is the sovereign of the nation Tyreusa, having been in that capacity for eight years, and much has been placed on her adolescent shoulders. Including, but not limited to, raiders in the north, declarations of war from neighboring states, and nefarious advisers. When a plan from one state goes awry, and peace talks are called before it is too late, she recognizes one in the cadre of politicians sent. Who happens to be the king of that country, Hytermaire. Also, her former, vanished friend.

 •Wutherwell story. Set in, fine, I confess, what used to be my concept of A Tale of Two Cities (a parallel world with carriage overpasses, and flying somethings. No stonings! One city could be located in the parallel world, the other could be on Earth. Perfectly logical. Needless to say, I dissuaded myself of that notion) this stars a girl named Rhaedlwyn Dartmoor: nineteen years old, cloistered and introverted in a cathedral town called...yes...yes...Wutherwell!  Thereafter, her best friend deserts from the air force (named the Air Legions) and with a fair dose of emotional altercation, she ends up in the Air Legions herself. Sequel is set on the Orient Express, several months afterward. Originally a National Novel Writing Month (i.e. NaNoWriMo)  story.

•Robin Hood re-telling. A few scattered portions and an unclear plot are all there is of this story characterized by elements perhaps borrowed from "Robin of Sherwood" and cringe-inducingly similar to the BBC Robin Hood of 2010. Sans all magic and magical elements, mind. Note for the latter, that was entirely incidental, as my knowledge of that originates in pop culture references from the Internet and BBC previews.

•Cyberpunk. Inspired when I was perusing a tome of theoretical physics (I believe it was Physics of the Impossible, by Michio Kaku if you must know) and noted they explained if light was refracted via solar panels consistently over the Martian atmosphere, it would warm, melt the polar caps, and thus make it habitable in a while. Well, this is set after that while, in the dusty plains of Mars in a town called New Locktown. Trust me, all I'm missing is a plot for little miss Leigh Aubrey.


Synopsis, The Queen of Tyreusa, and names; everything relating to stories named is copyright of Anacostia Mirabow-Marignac. For reproduction or copy rights, contact her on Google+. I might not bite your head off.

Ah, yes. Notes, tips, and advice:

►Do nothing to your primary or auxiliary characters without the audience liking them first. And you, too, you're the book's primary audience.

►Do not enact what the audience wants, or what would perfect the character's lives, do instead what adds drama. Drama--DRAMA‼

►Basically that means write for yourself, not for an audience. Do add what makes drama, though.

►Don't be afraid of saccharine writing. If it is too emesis-inductive then you can change it, but often the best drama results from grandness, elegance, or sweetness.

►Stress not about characters. Write them, and characterization will come at last.      

►Use touching moments with care.      

►If writing a romantic or sentimental scene or work, make sure the characters involved are not defined solely by the romance. They shouldn't be handsome, kind, gallant, lovable, and complex just in time for the protagonist to meet them...they shouldn't be declaring their love and undying affection every three pages...they shouldn't always interact romantically, it needs to be subtle too, they need to be characters as well as love-interests.

►"Suddenly" is a delicate term. Abrupt may fit into some instances..."as abruptly they hit someone" but the "suddenly" adverb others, "suddenly their feet flew out from under them." Consider whether the abruptness or suddenness is apparent from the phrasing. The reader is viewing it as a sudden action, not always does it need to be named.

►You've gotta love writing to write. That is all.

Hopefully, Reader, the gems of wisdom gained are sufficient and prove emolument for the perusing of this article. Really, thanks for reading; thanks for writing. I hope that helps, and remember, the manner which you write and standard by which you write are your decisions‼

The Essence of Writing.

Yes, all writers do hope the elves will come in the night and finish their stories, all do just write, and they all paint their voices. Neil Gaiman, and Voltaire for ze quotes. The pen is also mightier than the sword; always, and you must write the story that wants to be written (Madeleine L'Engle). Castles in the air never exist in real life, but once you pick up the quill, the pen, the pencil...daydreamings are the limit.

-Anacostia.

You heard me say (or rather didn't) there were to be reviews? Official, Stately, and Grandly Designated Review of Victor Hugo's Epic "Les Misérables"

A short PREFACE:

It was not arduous. Trekking through twelve-hundred some pages is hardly a carefree task, and indeed I became burnt-out on it about one-quarter of the way through. Oh, yes. It was "Cosette" so precisely so.

This is my original, unchanged, and slightly refurbished review... It contains my notes, ruminations, and many, many spoilers. When you concentrate on the large capital letters, skip under the next capital letters, gentle Reader...Otherwise I am not liable for any spoilers sustained, my deep apologies.

It is divided into parts...i.e., "THE EDITION" "TEH WRITING". It is five pages, took one week. The beginning lines of it are my notes, from, well, page 729 onwards. Good luck.

*alarum* *glorious banners* *palanquin bearing scroll enters*

THE NOT-SO-OFFICIAL REVIEW OF HUGO'S "LES MISÉRABLES." (Also known as: Victor Hugo's "Read It And Weep."

Chapter IV| Epic of Saint Denis.

I wonder if this portion was written before or after V. H.'s opinion of Napolean III declined.

p. 729. A hammer nailing a metaphorical coffin of Poland is arguably ill-omened no matter what, eh?

p. 730. ...And here there will presumably be a coffeehouse proprieted by one Monsieur Defarge and his wife. Darn, wrong revolution.

p.736. N.B. Research "Ca ira".

Book II of Epic of Saint Denis. "Éponine."|

p. 746. Marius and Marianne Dashwood should form a club. Would like to elaborate, due to long-windedness, but I figure it's pithy enough left standing and not drenched in loquacity... back to Les Miz.

p. 746. Marius really shouldn't be knocked off.

p. 747. You need a telephone book, Marius.

p. 748. Law affiliates in books about the French Revolution duel: Sydney Carton vs. Marius. Funny how  "lawyer" was a lowly profession then, unlike now!

p. 744. If a love triangle happens to present itself!!!!

p. 755. Inter-classic shipping: Marius Pontmorency and Marianne Dashwood.

p. 757. Please tell me Éponine doesn't die ☺.

p. 780. Cosette: "Father, why do you eat miserable bread like that?"
          Jean Valjean: "Because Reasons, my daughter."
          Cosette: "...Well if you eat it, I shall eat it."
Blackmail! Da dum daa!

p. 795. Wouldn't it be nice if you could distinguish between Gavroche, Enjolras, and other-Enjolras? For the first and last it's easy, I concede the point.

p.796. Correct me if I'm wrong, but Victor Hugo, did you just say all black-skinned people are slaves?

p. 800. So, basically, Marius follows the tenet of: "I don't want to cheer up, it's nicer to be miserable?"

p.806. Narm... "Thou art" really Marius?

p. 808. If Cosette still doesn't realize this is Marius writing that epistle...!!!!!

p. 809. I think you should play video games, Marius, it's a little more productive than spooning.

p. 810. ...

p. 813. Cosette that was the most sensible reaction.

p. 814. *angels sing on high*

p. 822. Now finally I can figure out who Gavroche is!

Review to come.

Out of many one of the most striking things about this  work of literature is the grasp of atrocious wars. It doubtlessly magnifies the greatness of human nature, but it makes it a jolly good read in the process.

Summaries and millions of them have hitherto been written so it's redundant to write another, beside the fact they normally are used to fill up space...Yes, you know I'm right.

The writing is immediately tiresome to any reader, its level of irksomeness depending on the translation. It might take a while to begin properly; but once it does I promise it will not be regretted to read it. Despite their limited appearances; I don't think Monsieur Mabeuf and Javert (The latter is definitely far more prominent in the movie though. I know that with absolute certainty without having watched it.) can be denominated as plot devices. Almost with Javert... but not quite.

How can I begin to explain the ineffable quality of this book? Adjectives may not describe it all. Striking, frightening, amazing, incredible, unbelievable, realistic, romantical, saccharine, poignant, charismatic. And that is just the beginning. Although as aforementioned it is aggrandized human nature is so heartrendingly rendered: Jean Valjean, Marius, Enjolras, Éponine I can only minimally complain.

-----------------------------------------------------------------------

Well I daresay it sounds I am more enamored with this review than the book it is reviewing! So I shall amend that. (Or attempt to, I think the review's pretty great).

I will make one thing abundantly clear: Cosette was a love-hate character. At first she's selfless and cheerful than she's spoilt and frivolous and back again.

Cosette: "Father, why do you eat miserable bread like that?"

          Jean Valjean: "Because, my daughter."

          Cosette: "...Well if you eat it, I shall eat it."

To effectively SPOILER: SPOILER: SPOILER being responsible to the broken hearts of four different people. Admitted that is not her fault. SPOILER-END: SPOILER-END: SPOILER:END. One thing must be made abundantly clear and that yes, I am not a proponent of everyone being sad in the entire book... But her silliness and saccharinity was nearly about to drive me berserk.

For our erstwhile hero, Jean Valjean I shall dedicate the next few paragraphs.

*clears throat*

Right. One: He steals two loaves of bread. Not one. Tho' "a loaf of bread" sounds better. Two: He also steals forty sous which is approximately three pennies in modern American currency. Three: You see, Javert is rather indifferent to chasing after him for three-quarters of the book. Four: He was in jail for nineteen years for trying to escape four times.

Now that we've eradicated odious misconceptions about this. Ahem.

Well, he needed better self-esteem that's for sure. At first that was what comes to mind.

He is an immensely heroic character,  who has touching and heartrending moments. The scene in the village he becomes mayor where the carriage is submersed in mud was astonishing; for a good deal of the plot it was my favorite! How touching it was. The quality of his character, if I may be so bold, is wordless.

Now... For Marius Pontmercy and Éponine the Great. Marius was a dear, that is the only description one may use, though he was a genuine prat to Éponine.  He was sweet, aside from that: My beliefs on the infamous "Cosette and Marius spoon" scene varied between laughing, rollings of eyes, making "piffle" "pbbbt" sounds and smiling insipidly. To depart from the romantic aspect of his character (What am I saying? That is about most of it!) he was not quite the most rational, realistic, personage in the eternity of writing. But he was kind, good, devoted, lovable, and determined. Ah, skip the determined. And replace it with the adjective "dreamy." As real life dictates... dreaming isn't always the best, but with him, sometimes, it's fine.

Éponine - She well deserved the title of "Great" for she was. I expected the preeminent love triangle... but of course a love triangle... yet somehow it failed to enduringly annoy. She changed from a piteous, nearly mad girl in poor surroundings to a lovely, heroic and courageous girl still in poor surroundings... but yet noble. SPOILER:SPOILER:SPOILER And her last words?

"I think, Monsieur Marius," the girl said. "I was a little bit in love with you."

And in the movie she SINGS A DUET with him, but, nevertheless..... But nevertheless I take umbrage at that flagrant disregard for any common emotion.

SPOILER-END:SPOILER-END:SPOILER-END. Did I just say Marius was lovable? Be that as it may, he is.

(N.B. I could have shouted at the page for him to forget about Cosette for four seconds enough to notice the poor, dis-affianced (Postscript: change that to in-affluent, I was unaware the definition of affianced was "engaged"), miserable, golden-hearted girl by his side of course.)

Hm. Inspector Javert. He had a variety of Crowning Moments of Awesome, and also Crowning Moments of, well, Crud. It was fairly a dead-giveaway with Victor Hugo's lovely comparison to the one wolf of the litter that the dam must kill for the others to make it out...
See, that character has many, many vulpine and lupine metaphors to his name. It is not very subtle but it's striking.
He was a bit Deus Ex Machina at times, that is to say quite often, but had his merits. As a character... Not really as a person. Regardless, who doesn't cheer (Soon to be ruthlessly and unspeakably cut short) when he lets Valjean go free?

THE EDITION.

I have recently gained the knowledge (From reading the cover inset, THAT WHICH I DO NOT RECOMMEND IF YOU HAVEN'T READ THE BOOK) that this translation, Charles Wilbour's, was made by a friend of Hugo's (Yes, yes, I do mean Charles Wilbour) and indeed the original English translation. Applause.  Privately when the editions of Julie Rose's and Charles Wilbour's are set up beside eachother, I prefer Rose's. However, each of them DEFINITELY requires a lot of getting used to. Very much so, and that is the one of the great stumbling-blocks of this book.

TEH WRITING.

Deus Ex Machina parades on nearly every book, mind you (It's made of Parts e.g. "Cosette", Books e.g. "Waterloo" and Chapters e.g. "I") and occasionally that can become annoying but overall the best writing in it disguises its stilted moments. Occasionally there is ridiculously antiquated writing, but I note we don't complain as much about the modernisms in Julie Rose's translation. Telling. Numerous lovely, saccharine, heartrending, and beautiful moments were spread about SPOILER: SPOILER:SPOILER Just for Éponine's fall, not only do you want to use the word "fall" in lieu of "death" but it will stick with you, and everywhere you read it will be incorporated to a milieu of memory. SPOILER-END:SPOILER-END:SPOILER-END. It was beautiful. Cosette and Marius' meeting was enough to bring, consecutively, eye-rolls, "HAH"s, head-tosses, relieved sighs, smiles, and laughs. Good old couple, they shouldn't singly be remembered for the end.

The afternoon in Mont-Sur-Maire (M____ sur ____) I will always remember. It was "high fantastical". Deus Ex Machina....It was heartrending, one of the heartrending moments of the story. It honestly reveals the depth and goodness of Valjean's character, and the contrast to Javert's.

And the much controversial: Waterloo. Plainly I can't see why everyone complains... It spends sixty pages discussing something unrelated to the plot, but intricately interwoven with the setting of France and though not really underscoring the July Revolution, made recompense in the excitement. I consider myself a fairly prolific reader of history yet I could not find a more zestful one. Yes, sixty some pages digressing from the plot, Marius, the ABC and all is zestful. It hardly detracts from the quality, in fact adds, and an abridged edition cannot in my estimation past muster.

Mm. Yes. The Friends of the ABC got better. Please, please, please, take my word for it and STUDY THEM WHEN THEY FIRST APPEAR. I tell you, you will by no means regret it. Of course it will hurt even more that way. Brutality of war, mind you Reader.

Doubtlessly more elaboration will present itself, but I will simply close this review with the acknowledgement this is an unforgettable AMAZING book.

Mmm. Thanks for reading!

Erstwhile "Blogger", Eternal Bibliophile, Inestimably Long-Winded (Though, I am lachrymose to admit, little of that aforementioned loquacity was immediately evident.),

-Anacostia Mirabow-Marignac!